As a house, Ferragamo’s ties to the world of ballet run deep, with Salvatore Ferragamo having made custom ballerina shoes in the 1980s for the likes of Katherine Dunham and Rudolf Nureyev. Fast forward to the 21st century and Maximillian Davis is turning to the Italian designer’s storied heritage to offer a nuanced take on the classical elegance of ballet. “I’ve always incorporated different historic eras in my work – eras which feel relatable to me and my heritage,” said Davis of his 80s-inspired collection. “At Ferragamo, I’ve sought out similarities – and the beauty of this brand is that there are so many different stories you can relate to.”

Balletic codes were explored in a variation of form-fitting looks as leotards moulded to the body like second skin, cashmere cardigans were layered or knotted in a nod to post-practice dressing and silk dresses flowed with ease. Sculptural silhouettes appeared as lattice-cut leather outerwear while mesh dresses were finished with billowing threads of yarn – worn alongside heels with ribbons laced up the calf, reminiscent of a traditional ballet slipper. As for menswear, the louche sensuality of Nureyev’s 80s wardrobe was reimagined in delicate suiting, flowing scarves brushing down to the navel, sweeping trench coats and technical tracksuits.